Archive for January, 2007

Famous PUA Material Part 9 - Tyler Durden’s PVC Devil Roleplay

This is a cool one.? Any?role play stuff is excellent.? If you can come up with it in the moment and?tailor it,?you are doing very well.? It’s one of the things guys don’t really get but girls love!? ?A great tool for Pick-Up Artists.

Tyler Durden?s PVC Devil Outfit Roleplay

YOU: “Oh, you’re getting fiesty, huh? You know what I would do with you?

I would dress you up? in a red? PVC… *devil* outfit… you’d have little horns like this… and a tail? bitch boots, and? a pitch fork.

Now your friend here… I’d dress her up in a similar angel outfit… with wings… and a fur halo… and I’d roll with you guys on each arm down the street.

Every girl would be jealous of you? and whenever I’d have to make a decision.. I’d let each of you fight over which decision is the most fun… and whatever one would be the most fun… we’d do that.”

Review: PUATraining’s Gambler: One On One Workshop and Bootcamp

Before I start Id like to point out, I have never opened a set in my life before this day.

I got into London quite early, got lost alot, eventually found my way to covent garden, called Gambler and said to him Id arrived he came down and met me, I recognised him from his photos.

He immediately took me back to his house and we started going through theory and even played some improv games, looked into story telling, NLP, openers, rapport, body language… bit of everything for a few hours, even helped me get over a spending addiction I had.

Then we hit the streets.

He demonstrated on a few people got their attention, had them all giggling and the like IOI’s all over the place, hes really very funny. Soon after he started handing out missions for me to do, including just standing in the street full of people looking forwards, there was a really clever reason behind it that escapes me. Then he decided on an opener for me, in short he would walk me around find someone give me an opener, personalised for each person usually and Id walk over and say it, and ty to keep the conversation going.

Not too long before it started raining we ran into a fellow pua of Gamblers, (who we will refer to as ‘A’) he left all his inhibitions on a bus or something, cos he would just open sets with ridiculous sentences however would get some fantastic results and just laugh if it went a bit weird.

Gambler earlier that day, had put us on the guest list of a club, we headed down met up with another pua (we will refer to him as R) , coincidently this time, and sarged everyone, he pointed and I went over, it got much easier the more I did it, im not gonna lie, it scared the fuck out of me. We ended up going to an Irish bar where I held a two set for about 30 minutes before the bar closed and we were made to move on out, then we preceeded to hit a club, where Gambler pretty much refused to let me not talk to anyone. I had to talk to every attractive woman in my vicinity.

Every time ‘A’ approached a set I was right there, everytime, got an email close outve it and started opening sets without being told to, and considering Id had 4 hours sleep the previous day and we’d been sarging for 13 hours, I was suprised I could even talk let alone game.

In summary, Gambler has a completely non threatening confidence, you dont feel less than him in anyway, he never makes you feel bad about msitakes, and he advises what to do next. I havent had as much fun in my whole life, and can freely open sets with minimal effort now that Im back home, its changed my life.
Matt

3 Way Kissing Technique

First you must build up the comfort with wit and humour- be cocky too- but in a way that makes everyone happy.
Kino both HB?s a lot and build it up, give them both intimate time with you when one goes to the toilet/bar/use phone, start being a bit more serious like when seducing them, then do the other when she?s free. Then do it to each of them again, but in front of each other so it seems to the other HB that it?s the first time your turning on the charm with her mate and how easy you do it will attract her then again, do the other one too.

The attraction will be high also the competition between women will also be strong, now you can say something like this:
(Use this old one first)

Me: ?Who kisses better, men or women?”
HB?s: “Women blah blah blah”
Me: “So you have kissed a women before?”
HB?s: (Always seem to say) “Yes, blah blah blah”
Me: “There?s this test to find out which are better kissers, but you wouldn?t be interested as your friends, even though everyone at my Uni parties use to test the theory and it worked soooo well? ?? Are you both open minded?”
HB?s: “Yes” (Now you have just got them to say “Yes” to doing the game, but it way you have asked them, they have said yes to everything you ask in the sentence) now to confirm it before they realise, quickly say before they speak again.
Me: “I knew you two would be cool and open minded, some people can be soo boring and miss out on fun and great opportunities, you both grab on for life right?”
HB?s: “Yes” (they normally giggle or something, remember you don?t have to say this word for word).
Me: “OK, are you ready?”
HB?s: “Yes” (Now I have made them say yes 3 times, the yes ladder is so powerful).
Me: “Now this may seem weird to hear, but to feel how it works afterwards you will be amazed. Do you like being amazed by new and exciting things?” (REMEMBER PAUSES).
HB?s: “Yes” (one more yes for luck lol, you can make them say yes them all day if you like and anchor it too).
Me: “OK, all hold hands in a circle (you can be sitting or standing), now we must connect our lips together much like a kiss and the currents in our bodies will be attracted to the most strongest current (you can add this bit to if you want but don?t kill the moment ?did you know each human body gives off enough electricity to power a light bulb?).
Now girls shut your eyes and as we kiss on 3 (seconds) hold it there for 5 seconds try to feel who is giving off more power, if it?s the same we all our compatible.”

Go through the motions and turn it into a snog. If this doesn?t work either blame them for trying to snog you or say, I wanna try that again.
If you feel one was kissing you more, then you?ll be able to kiss her as soon as you alone with her, tell her you felt it more with her, did she with you, she should say yes as she was kissing you more then the other HB.
Also you can get 3somes from this, I have and I haven?t even experiment much with it.

Messy kisses to you all!

LR 4 Lays In 20-ish Hours

OK,?so?I was in Chelsea and got invited back to a Russians HB8.2 she was dom/sub sexy and kinky, with great shoes, perfect. ONS, left hers at 10am ish next morning texted a HB7.9Brazilian who was coming to watch a DVD at mine.

She has been texting me ever since I KClosed her in a Salsa night in Fulham and used some dance game on her. Bump, spin, force IOI?s mixed with good dancing and boob kino, yes my new boob kino tech works wonders. She got to mine by 12ish instant FClose using my head massage routine.
Then said I?d walk her to the bus stop as I had to go shopping for food, time is now 3pm ish.

I then had a day2 with a HB7.7EnglishRose, went shopping then I said after that we should have a drink, 3 venue charges closer to mine, running her across the road and kclosing as she is hitting the excitement level, then used a little routine which I call ?she?s wine picker? to get them to come for wine at mine and it seems like I?m giving them the choice lol. FClose.

She leaves at 11pm ish as she has to get the tube, I text a reg FB (ok cheating a bit) she lives close, she pops over by 1am ish. Fclose on my new?ish blow up sex chair
I?ve used the word ish a lot as it was about 3 months ago.
Only got pics of Russian in kinky gear.

Out Come No Cum (left in balls lol)

I was in a trendy bar on the dance floor and sent my friend in (and told him to use a gay voice and act gay), I told him to fluff for a while (as he was acting gay, her bitch sheild was disarmed so when I talked to her it would be to), I told him to say 5 mins in to the convo “my friend wanted to ask were you got your fab bag but he said he can’t talked to someone with shoes from Primark” (her shoes were great and she new it, but being a fit Russian women she couldn’t resist coming over to tell me they were over ?250 forget the make now).

I just said “wow up close the amazing” feet kino’ed her”

Danced around a while using capture-recapture alot, it wasn’t a big place and she was never far away.
Her friend went home and so did mine, I said to her “I don’t wanna go home yet you gotta try the cocktails it this place I know…….. do you like cocktails”? (using my “yes jedi trick”)

She knew every place and every cocktail we had 2 each, venue changing each time, she was rubbing my cock though my pants for all to see, we were then pretending to be famous trying on her Prada glasses, when I put them on she kissed me then she said “Let’s go for a drink at mine”?because she lived 5 mins away.

She stopped me half way there and said this- and remember this cos I use this alot when they’re trying to flake. It’s all about the moment.

Her: “Beckster can we do this another time?”
Me: “yeah of course baby”
*Kiss her really passionately, holding her tight, then say*
Me: “Sorry babe I’m not going anywhere after that” (big smiles looking into her hers and head tilted).

Grab her hand and lead her off to yours, also maybe say is there anywhere we can get wine on the way?…

How To Get A Girl’s Number

Most men will find that getting a woman?s phone number is an arduous task. They will not know when to ask, for example, or be fearful of risking rejection. Even after having got a girl?s number it can be difficult converting this into a second meeting or date.

Conversation Leading To A Number Close

One key mistake most men make is making small talk with a woman and then just suddenly asking for her number. This is definitely the wrong approach. A connection may (though normally is not) be made exchanging small talk with a girl but it takes a lot longer to do so. Instead, you must constantly steer the direction of the conversation towards your goal. Such a conversation will need to be based around building a connection with a girl and common interests you share.

Examples of questions aimed at establishing a connection with a girl or sharing common interest:
? What does she like to do when not at the office? How does she spend her free time?
? What foods does she like? What places does she like to go to in the evenings? Is she a party girl? Does she like the arts? What is something she would like to do but hasn?t yet (e.g. salsa classes)?

There are ways of asking questions that establish common interests and help build a connection. There are literally hundreds so come up with some tailored for you.
Taking two polarised examples, here is how to lead into a number close from a general conversation:

You: What places do you like to go in the evening?
Her: I like club/bar X.
You: Cool, its good there, have you ever been to club Y?
Her: Yes/No
You: Well me and some friends are going there on X day, you should come along.
Her: OK
You: Excellent, what?s your number*.

Or perhaps:

You: What do you like to do when you aren?t working?
Her: I like to go to the theatre/exhibitions/museums/ballet.
You: Have you been to that new show/exhibition etc.?
Her: No
You: Me neither, we should go
Her: OK
You: Great, give me your number*
*You never ask outright for a number, it should flow naturally, and the close should be assumed.

But how about if you cannot find a connection or common interest, do not have the time to, or do not have a conversation that bares any resemblance at all to the examples?
Then deploy the universal:

You: You?re cool/It was interesting talking to you, we should hang out sometime.
Her: Yeah.
You: *handing her your phone* What are you doing on Thursday? **

Most men will find that having got a girl?s number, nothing in the form of a second meeting or date materialises- in other words, the girls flakes.

How To Minimise ?Flakeage?

Ensure that you enter your number in her phone too.
Have a connection or something you can do together as described above.
And most importantly: **arrange a date there and then.

This means that she can be expecting your call and is more likely then to pick up if she has something to look forward to.

The above tips should go some way to ensuring all good interactions end in solid number closes.

Hoop Theory

Mystery “You do NOT have to answer questions asked of you. In HOOP THEORY, a girl gives you a HOOP and AFCs think they HAVE to jump through it. Simply, grab the hoop FROM HER and get her to jump through it or present another hoop to HER. OR … just don’t jump through her hoop and leave it at that. SILENCE is often the BEST REPLY.”

Grabbing her hoop
HB
: Will you buy me a drink?
YOU: Buy ME a drink and we will see.

Putting up a new hoop
HB:Why are you talking to me?
YOU: Hey why do you do wear your lipstick like that?

Silence
HB: What is with your shirt?
You
:

Mystery

Mystery Method

www.fastseduction.com

What Most People Do Wrong When Approaching

Style/ Neil Strauss “When I went out the first night on Mystery’s workshop, I tried an experiment. I approached a set, opened, and then DHV’d. [Demonstration of higher value.] And not a single set stuck. I didn’t reach the hook point.”

Everything seemed sort of flat, until I finally just excused myself.
This happened because I had dropped two important pieces out of my game. If you know what they are already, then you are obviously already successful in the field.
The next day, I did the exact same thing, except I added Negs and Time Constraints to the approach. Everything flew open. I was pulling girls off of guys left and right.
So, if you are approaching, but not having success getting in with the set, go out tonight and add negs and time constraints to the first three minutes of your approach. It makes a huge difference.
For those who don’t have this material, here’s an example:

TIME CONSTRAINT: I can only stay for a minute, because I have to rejoin my friends over there.NEG: Oh my God, is she always like that? How do you roll with her?And, a third point, which I’ve made often. In order for an approach to work in a bar or club, you must enter the set with an energy/fun level equal to or slightly greater than its current energy level. If you walk in not smiling, talking softly, and with bad body language, you’re going to get blown out, no matter what you say right.

Hope this helps some people…

Style

The Game

www.fastseduction.com

Bait; Hook; Reel; Release

Mystery “How To Hit On A Woman”

You cannot indicate your interest (IOI) to a woman until she has first indicated her interest to you. The ATTRACT STAGE has 3 phases: 1) OPEN - to get you into her group and in front of the girl 2) F2M female to male attract - to get her attracted to you and 3) M2F male to female attract to show that you have grown attracted to her for legitimized reasons.

Assuming you have completed phases 1 and 2, its time to move onto phase 3.

You may have already read about QUALIFYING principles. Many concepts about qualifying are incorporated into phase 3 of Mystery Method. The idea is to make a woman demonstrate a higher value to you (BAIT her into telling you INTERESTING THINGS about herself - not “What do you do?”) so when she replies (HOOKing her to give you information) you can IOI her (REEL her in) only to push her off (RELEASE her from the pressure of being hit on).

This occurs several times.

So the phase 3 sequence is: BAIT, HOOK, REEL, RELEASE.

Here is an example for you to use in-field right away.

YOU: What nationality are you?
HER: FRENCH.
YOU: Seriously?
No WAY!!! The girl I had the biggest crush on in high school was French! I can’t even talk to you now.

Every time she gives you a DHV (demonstration of higher value) you IOI her. This way she will believe your IOIs and when you fully SOI her, she will feel like she deserves it. This allows your attraction for her to legitimately GROW over several minutes instead of just IOIing her because she first IOI’d you.
Since an important aspect of Mystery Method is to restructure routines to be in context with YOUR IDENTITY in particular, take the time to write up some personalized phase 3 routines with this format. After all, I’m pretty sure YOU didn’t have your first crush on a girl who was French right? Write 3 to 5 routines right now.

Here is one more example I used literally the night before writing this:

ME: If you could be anything in the world with no chance of failure, what would you want to be? And don’t say “Princess” haa.
HER: Um, an actress.
ME: Really? When I was little I wanted to grow up and be a magician. And you know what I am now? A magician! So you want to be an actress. I’m living proof that our dreams can come true. It would be so cool if you were an actress. I LOVE THAT! We need to figure out how to make that happen. I bet you’d be an amazing actress. But what if you get more attention than I? I can’t even hang out with you now.

Mystery

Mystery Method

www.fastseduction.com

25 Point Checklist Of Things NOT To Do

Tyler Durden Taught a few hundred guys by now just from meeting guys through PAIR and in workshops recently, and this is the shit that ups their game instantly with no tactics or anything. I see this shit ALL THE TIME. It’s the BIGGEST and most COMMON problem I see after everyone I’ve met. This is some of the main shit I focus on fixing when I’m in the field.

Almost EVERYONE I met so far screws up this shit, and it totally fucks up their sarges.

If you do this, don’t feel bad. 99% of guys I meet do it to various extents (myself included).
This is the extension of the “10 alpha qualities” post, which was when I was first figuring out what this shit meant. Back then, I was just posting observations. This post contains conclusions, having now thought about it. ERADICATE this shit, and your game will go up B-I-G-T-I-M-E, more than ANY tactics will help you. This is part of what’s called being a “natural”. Even with nothing else, if you know this stuff you’ll do well socially, and probably get laid. This stuff is the KEY. This stuff is only for people who play the REAL game, not the INTERNET ARMCHAIR GAME. So guys who don’t actually PLAY can skip this, because there’s not much theory in it - its directly applicable.
1) FIDGETY MOVEMENTS AND TIGHT SHOULDERS AND TAKING YOURSELF TOO SERIOUSLY OR BEING TOO BUSINESSLIKE OR “SOPHISTICATED” (not laughing or being relaxed) = very visible subconsious (or conscious) self-doubt, overcompensating through non-relaxed state, where you’re prepared to deal with anything that could happen. Ever met someone who doesn’t blink when you talk to them?

2) TALKING TOO FAST = worried that people will stop listening to you unless
you get out something that will interest them before they leave

3) LAUGHING AT YOUR OWN JOKES = covering up that you aren’t affected that others didn’t laugh, and social nervousness

4) SAYING “RIGHT” OR “YOU KNOW” AFTER STATEMENTS = seeking validation that what you said was true, or saying it because others aren’t

5) STANDING WITH LEGS NOT HALF A METER APART AT LEAST = worried that you’ll infringe on other people’s personal space

6) TALKING TOO SOFTLY OR LOUD = fear that you’ll impose yourself on people and their personal space(ie: beta).. alpha males aren’t afraid to project their voice.. YET, talking obviously too LOUD can also be seen as OVERCOMPENSATING. Just like guys who wear GENERIC clothes are trying to fit in, or guys who wear OUTRAGEOUS clothes are trying too hard to overcompensate. (hint: be careful with peacocking, find a style that doesn’t come off this way, which can be tricky but is still very doable).. Some guys don’t talk, some talk too much, etc etc.. Find appropriate balance through trial and error, which is determined through social observation,

7) MOVING YOUR HANDS AROUND WHILE YOU TALK = trying to keep the attention of the group (sometimes can be cool, but most often a form of qualifying yourself)

8) LEANING IN *or* ‘PECKING’ = too eager to talk.. NEVER lean in no matter how loud the environment is MAKE HER LEAN IN or just leave but NEVER lean in or “peck” as its also called.

9) FACING BODY/FEET TOWARDS HER BEFORE SHE EARNED IT = trying to gain rapport with her too eagerly.

10) CHASING WHEN SHE WALKS AWAY = hoping she’ll listen. If a chick moves away from you, move your bodylanguage MORE away from her, so she’ll be drawn back.. don’t CHASE her… WTF?!@?!?

11) NOT WITHDRAWING (backturns, etc) WHEN SHE DOES SOMETHING THAT YOU WOULDN’T TOLERATE FROM AN UGLY GIRL OR A GUY = trying too hard to pick her up

12) ANSWERING QUESTIONS TOO QUICKLY/EARLY = too much interest in the conversation

13) TURNING YOUR HEAD (OR “SNAPPING”) WHEN YOU’RE ADDRESSED = too eager to be in convo.. so if your head is facing the other direction, and a girl says something to you, turn it SLOWLY to her, don’t snap it out of eagerness to hear her

14) GOING BACK TO A PRIOR THREAD THAT WAS INTERUPTED AT THE FIRST CHANCE/BREAK-IN-CONVO THAT YOU GET = trying too hard to impress them.. (ie: when a thread gets broken off in the convo, and you go back to it FIRST chance you get when the other topic ends, you look like you were WAITING to get back to it.. WHY are you so eager to get back on it, unless you don’t feel comfortable around the person and you need to qualify yourself to them?) WAIT until THEY say “what was that you were saying before?”, and THEN go back to it.. if it doesn’t happen, *DROP IT* even if it was good

15) NOT APPEARING MORE INTO YOUR WINGMAN THEN THE CHICK = trying too hard to pick her up.. you’ve known your wingman longer than her.. why do you pay more attention to her than your wing??

16) TOO EAGER TO PAY ATTENTION - SAYING “what?” IF YOU CAN’T HEAR HER, PRIOR TO BEING IN RAPPORT = too much interest in what she’s saying.. if She mumbles, just STACK OPENERS into an entirely DIFFERENT topic, RATHER than saying “what?” This is fucking KEY KEY KEY. If you say “what?” you’ll lose her unless you’re already past attraction and into rapport. If this happens, just run a new opener and change the topic. 1- you don’t look too eager, 2- you look alpha for being disinterested in what she’s talking about which helps anyway

17) REPLYING WITH OVERLY THOUGHT-OUT OF LOGICAL ANSWERS OR WITH OVERLY CLEAR/FORMAL PRONUNCIATION = being concerned that you won’t be accepted unless you convince really well (eg. HB: why did you ask me that… RIGHT = I’m talking. (sit and stare) WRONG = because I really need to know since I’ve been thinking about this for a while.. the FIRST one conveys that you won’t qualify yourself to her)

18) TAKING TOO MANY SENTENCES TO STATE AN IDEA THAT COULD BE STATED IN LESS SPACE = qualifying yourself. Commander Zap emails me a few months ago: “Remember TD, don’t write what you can say, don’t say what you can wink, don’t wink what you can smile” TIGHT. The shorter you can explain something in, the more PROFOUND you’ll appear. Why? You’re not qualifying yourself. (ironically I’m massively guilty of this, due to the fact that I post when I’m really tired - see #21 to spot what was wrong with this last sentence)

19) BEING BOLD INSTEAD OF CONFIDENT = that you know that you can’t pick her up, so you compensate with self-defeating actions so that the snub can be on “your terms”. Saying “I’m sexy right?” or “baby I want some of that” or even just approaching when the logistics are totally unrealistic is too eager,
because a CONFIDENT person wouldn’t feel the NEED to say these kinds of
things.. these things are symptoms of OVERCOMPENSATION for INSECURITIES.. which leads to……….

20) OVERCOMPENSATING INSECURITIES = fear of not being accepted. Have you ever met a janitor who the first thing he says is “money is over-rated.. I would never get caught up in the corporate world” blah blah.. if they’d have just said “I’m a janitor” and LEFT IT AT THAT we wouldn’t have even THOUGHT that anything was wrong with it.. but because they INSTANTLY start overcompensating, it comes off as overcompensating or qualifying. Same with if they BRING IT UP TOO EARLY. Like “hey, I’m Steve.. I’m a janitor and I love it”.. They’re TRYING to be cocky but it comes off as COMPENSATING. BE COMFORTABLE WITH YOURSELF. If you’re BALD, don’t say “would you love a bald man?” as a pickup line. It’s not COCKY…. its BOLD. If you’re bad looking, don’t say “don’t you think I’m sexy”. Just be comfortable with yourself, and don’t bring up the issue at all.

21) OVERCOMPENSATING FAILURE OR SHORTCOMINGS = fear of being judged.. if you do poorly on a presentation, or on a sarge in front of a wingman, or on a test, DO NOT SAY DUMB SHIT LIKE “I’m really tired”. EVEN IF you’re ACTUALLY really tired, the mere act of saying “I’m tired” comes off as QUALIFYING yourself to the person. Just don’t bring it up. If you have shitty clothes on, don’t say “I have nicer clothes at home.” Just don’t bring it up. If you meet a girl when you’re dressed bad, don’t say “I have the coolest club clothes at home” Just don’t bring it up.

22) GOING BACKWARDS IN THE PICKUP ON HER SCHEDULE = too eager to lay her..if you’ve already GONE THROUGH the whole “let’s ballbust and shit test each other” attraction phase of the pickup, and you’re now in RAPPORT -> if she tries to ballbust you at this point then just WITHDRAW ATTENTION. DO NOT BALLBUST BACK. It seems COUNTER INTUITIVE, but once you’ve gone through that whole little attract phase, and you’re now being nice to each other in rapport, DO NOT let her rewind the sarge by answering her ballbusting with ballbusts of your own. Just withdraw attention, to show that you’re not interested in going BACKWARDS in a sarge.

23) WAITING FOR HER IF SHE LEAVES FOR ANY REASON (LIKE SAYS “I’M GOING TO THE WASHROOM, WAIT HERE) = too eager and into the convo.. if she goes to the washroom, make sure you’re into another set by the time she gets back.

24) OVERLY REMEMBERING DETAILS ABOUT PAST CONVOS = convo means too much to you, because the person has unusual value to you (ie: a hot chick). Of course, I’m not advocating to be a total dick, but the general rule of thumb is that if you wouldn’t have remembered a FAT CHICK or a GUY saying it, then don’t remember the HB9 chick saying it. If some random dude said it and you would have remembered, then FINE. If you were in an unusually intimate convo that’s also fine. But otherwise FAKE forgetting, even if she’s a model and you remember every word. Even forget her name. If you see a random chick from your class or work, but you never talked to her, OPEN LIKE YOU DON’T KNOW HER. Don’t give into the temptation to say “we work together”. Just open like a random chick, and maybe if you get snubbed then pull out that card to save face, but only as a LAST RESORT.

25) OFFERING TOO MUCH ABOUT YOURSELF TOO *EARLY* = too eager to make them like you.. subcategories of this are:

A) Verbally: if you say to a chick “yeah, I just got back from NYC (or any
cool place that would impress)” or “yeah, I just got my Rolex fixed”, or
“yeah, my stripper ex-girlfriend told me…” then she PICKS UP on the fact
that you’re trying too hard to impress her.. Same with NAME DROPPING.. DON’T GIVE GIRLS YOUR RESUME TOO EARLY.. Personality conveying routines should convey personality COVERTLY, so it looks like the story is just SO COOL that its WORTH TELLING on its own accord, and it just HAPPENS to have some good things about you in it. When offering good things about yourself, don’t offer boring details. Say it with less detail, and it seems less eager. INSINUATE THAT WHICH YOU ARE TEMPTED TO ELICIDATE (holy shit, I just made up that last catchy sentence, but I’ve gotta say that I’m the shit.. right?)

B) Entertaining: If you have stuff like patterns, or the CUBE, or magic, or
photos, or palmreading, and you do this EARLY, it comes off as TRY-HARD.
Personally I don’t use any of these things, but alot of guys do, and when
they bust them out prior to the chick EARNING it, it comes off TRY-HARD. Use the stuff LATER, but not right away.

*****C) Wanting rapport with someone who didn’t earn it: WHAT THE FUCK IS THIS SHIT??? I swear to god, almost *EVERY* PUA I meet live in field does this shit, and its SUPER LAME. Going up to a chick and saying “nice
necklace” or “what’s your name” or “where did you get that?” is FUCKING DORK SUPER LAME. WHY THE FUCK DO YOU CARE ABOUT THIS STUFF FROM A R-A-N-D-O-M PERSON????? The counter argument to this is that you’re not hiding your desires blah blah blah she’s a hot girl and she should be happy that you’re approaching, but this is INTERNET RHETORIC.. and this approach is STILL hiding your desires behind the GUISE that you’re nice, so even if the rhetoric was true, it would STILL be ineffective… In the INTERNET ARMCHAIR GAME this stuff is FINE, but in the REAL FIELD GAME this shit screws you over before you’ve even started gaming. It’s fucking bullshit, and NOBODY who isn’t very goodlooking or socially proofed (or whatever high value) PRIOR to going in, can make this kind of approach work consistently on HB8.5+ chicks. TRYING FOR RAPPORT TOO EARLY IS QUALIFYING YOURSELF TO HER BECAUSE SHE HAS NOT EARNED IT.

D) Talking without feedback: When you’re talking to someone, and they don’t
give feedback, and you’re talking and talking, you BETA YOURSELF. It’s a
DOWNWARD SPIRAL, where you start talking TOO MUCH, and you SENSE that you’re qualifying yourself, so you overcompensate EVEN MORE by TALKING and TALKING more and more.. Then you feel more and more beta’ed because you qualified yourself, and you’re left treading water, grabbing at ANYTHING that will impress the person, so you keep talking in hopes of saying that one thing that will impress them. AVOID this by not talking too much unless THEY give some feedback. IN THE FIELD you do this by PAUSING and FORCING them to fill in the awkward gaps

Tyler Durden

www.realsocialdynamics.com

www.fastseduction.com

Identity And Grounding

Mystery ?I am now revealing this idea outside of my private lounge for the first time here:?

GROUNDING: HOW TO GROUND YOUR IDENTITY TO YOUR TARGET’S REALITY WITH YOUR BACK-STORY

I’m sure you’ve found yourself in a set and have reached the point where your target says, “What do you do?” You either give her your honest but lame answer like, “I’m a student”, or “I’m a system’s administrator”, or worse, you try to circumvent the question entirely with “I’m an ass model.”
The problem is you don’t have an attractive identity, or if you do, it’s not a strong one. Some guys will experiment with “I’m a rockstar”, or “I’m a promoter”, or “I’m a public speaker”, but your target will either feel you are lying (in the same way we believe an “actress” is likely a “waitress”), or if they DO believe your evidence, they become intimidated when you get weighed down by the stereotype they have of you.
If instead of answering her question “What do you do” with “I’m ” you can ground your present identity to her reality and harness the opportunity to convey a much richer personality. Here’s how you do it.
Instead say:
1. “Well when I was little I wanted to be a .”
2. “When I was a teenager happened.” Tell stories about how you got from 1 to 3.
3. “Now I’m . Can you believe it?”
Here is the applied format that I used to ground my identity to a recent HB9’s reality. It helped to attract her and build enough comfort to get her back to my place. (Not the exotic dancer but another girl.)

1. What do I do? When I was young I wanted to be a magician.
2. Tell story of my first birthday party magic show and how the money was used to see a Copperfield show. (5 minute story.)
2.1 Tell story of how my biggest audience scared the shit out of me and how I went up and kicked ass. I really get into the fear of it all. (3 minute story.)
2.2 Talk about my first real TV experience. (2 minute story.)
2.3 Tell her about moving to Hollywood and why. This is a “vulnerability routine” in C&T stage. (3 minute story.)
3.0 Tell her what is now on my plate - my WTF? underground internet show, my TV reality show interest, the book I’m writing, and my seminars on various topics such as social dynamics and wealth building. (5 minutes of stories.)
3.1 Tell her what I am planning on doing next - illusion show concepts, publicity stunts, etc. (5 minutes of stories.)
That was at least 23 minutes of story-telling and I was holding this beautiful girl long before I performed any magic. The reason magic works for me of course is because I’m a magician. As Thundercat noted in his article, “Tyler does the same things as Mystery, but WITHOUT the magic tricks. Yet he is still able to create IMMENSE value for himself.” This is, to me, compelling evidence to support that you do not need to use my style or do magic in any way to use Mystery Method. Tyler D. performs no magic what-so-ever yet can still, by sticking to the method and running his unique personality conveying material, attract women like moths to a flame. Just don’t go running around telling women you conduct workshops on social dynamics if you don’t.
If I just come in and say “I’m a magician”, my target really wouldn’t feel that we share commonalities or lifestyle. She would have to rely on stereotyping. I would also not appear very humble. She would feel that I’m too different for her and I would otherwise over-qualify myself. Some women it seems would actually reject a date with George Clooney because they don’t understand his lifestyle - they feel they lack commonality and this lack creates discomfort. But what if he gave her his back-story and taught her what happened, step-by-step, to him to become who he is today? This is the concept of GROUNDING applied.
By giving my target my back-story, I ground myself to her reality (”When I was as a regular Joe”) so that she could see how she too could be the type of person I now am (”This is who I am today”) if only she were to make similar decisions along the way. You can even later use this format to encourage your target to ground HER life to YOU during the F2M attract phase by having her stick to the format. Simply ask, “Woah. Back up. So what happened next?”?Notice in my list of grounding stories above that the common theme is “This is what lead me to become who I am today.” Thundercat too must do this - once he decides what his identity in fact IS. Does this mean he must steal my identity to do Mystery Method? No. He won’t be telling stories of his first birthday party magic show. That would be a lie. He won’t talk about how he learned the secret to a card trick by beating it out of a classmate of his, or how years later that classmate saw him on TV and said, “I can’t believe your future changed that day.” No, he won’t use my specific material. Nor will you. But both you and Thundercat will use material from your own real life experiences as I do.

The format or game plan is the Mystery Method. The personalized MATERIAL you use to fill in the format is what constitutes your style.

If Tyler D. for instance says “I’m a public speaker”, what does that mean to his target? She can only go by an accepted stereotype and unless she herself is a public speaker (commonality) he needs to explain how he became one. He must explain that if she did the same things he did, she too would be a public speaker. If he were to say, “I travel the world giving lectures on social dynamics”, he would likely over-qualify himself. If he instead said, “Well, when I was in school I went to this seminar” and “I started to help the lecturer for shits and giggles” and then “I taught a little bit at the seminars”, he would be grounding his reality to hers. He could then continue with “I started travelling with them for fun during the summer” and then “I put together my own seminar and conducted it for the first time with the help of my friend Papa. It was exciting and I was nervous”, and on and on all the way to “Now I travel the world, people look up to me and I make mad cash … can you believe it? I never would have thought I could do it if you said I’d be doing this 10 yrs ago”, he would be grounding his reality to hers using my grounding method and his own original back-story material.

Now, how does one answer the deep question, “Who am I?” A friend of mine told me, “You are what you repeatedly do.”

I do magic on a regular basis. I perform it almost every day, whether for a beautiful woman or any other person. Style writes almost every day (and gets paid for it, making him a full-time professional). Tyler D. mostly focuses on conducting seminars and workshops. What do YOU do on a regular basis? Besides being a social butterfly that is. Remember, the pick-up arts exist to enrich your life, not define it. What stories do you already possess that convey who you have become today?

GROUNDING REALITY is far reaching. It will change the way you M2F attract, F2M attract, and build COMFORT but will not alter their basic structure. It will also change the way you choose and structure routines, sequence them (which routines you will use and when), and convey to your target the way you handle challenges in your life.

So this is what you must now do to improve your game:
1. Figure out who YOU are by looking at what you DO repeatedly - something you can say in a word or two. (ex: magician, writer, toy inventor, CEO, hacker, rock climber, rapper, public speaker, traveller)

2. Come up with several stories that convey how you got from being a normal kid to doing what you repeatedly do.

3. Practice telling these stories to others to make the stories enthusiastic and natural.

Mystery

Mystery Method