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Snail of Evil

A dark snail takes it upon itself to jump high up into the air and land on top of a cloud. From the cloud the snail observes a roman gladiator being cheered by his fans. The snail is playing sonic the hedgehog on its mega drive.

The snail of evil would like to tell you the story of the slim, average looking man who stood outside the Roman Colisium talking trash about the warrios fighting in there. His trash talk was overheard by the ruler of the empire, a savage beast of a fighter himself. The ruler of the empire comes out to see the man so that he can laugh at him and send him on his way. The man is told to go home, unless he wants to actually fight with the champions of the Colisium. The man tells the ruler that he doesn’t want to fight anybody and he does wish to go home, but if the ruler does send him in to fight that he will kill them all. The ruler laughs at the man and begins to explain to him how quickly he would be brutally murdered by the gladiators and as he is halfway through his sentance he is cut off by the average looking man and told to ’shhh’. The ruler simply cannot believe it. He cannot believe it. Really he cannot. LOL. Everyone laughs at the average man and then he tells them to ’shhh’ also. He is benigning to smuster people off. They aren’t happy. He is even making his face look a little bit like mcolly kulkin which is really pissing them off. He gets ordered to go into the colisium and fight with the gladiators. After hours of grueling fights he manages to kill them all, including the lions. The audience cheer him and as they do he looks at them and tells them to ’shhh’, and they do. He leaves the colisium and on his way out he barges right past the ruler and out of the door.

Dark Horizon: Part 1

A prisoner on death row has been escorted by the government to a room in the basement of a Chinese takeaway. The prisoner is sat down in front of a table, on the top of which, Ross, from friends, has just placed a suspicious looking drinking cup of a visuably questionable manner on top of. The executionist  fills the cup up to the brim with a strawberry and mango innocent fruit smoothie. The prisoner is instructed to drink it all down whilst full well knowing that he will be asked to keep drinking until he dies from medical overflowage of the lungs. However, Barrack Obama intervenes at the last minute when there is but one cup left before the medical overflowage has entered the critical compartment. Obama shakes hands with Ross from friends and they exchange looks which imply past buddieship aboard spacecraft. Obama has been watching ‘The Secret’. The executioner, seeing this, demands to know what the hell is going on.  It turns out that someone in the room has mutant powers…

True Story 2: The Untrue Story

A PUA finds a fossil in primark. Due to his PUA Training he manages to keep his cool and act as if nothing unusual has happened. The PUA knows he must go undetected by store security, because if he doesn’t, he will be killed by Ross from friends. Ross has been posessed by his alter ego ‘Red’ Ross. Red Ross has the power to not come off like a dork and he has the ability to actually make you a little bit scared if he gets angry. The PUA knows that Red Ross wouldn’t actually kill him but he enjoys a touch of role play here and there. Red Ross tells the PUA to ‘hand over the fossil’.
Technically, Ross isn’t amoging the PUA, he genuinely wants the fossil. Should the PUA give in to Ross, hand him the fossil, and be perceived as being amoged? The PUA is David De Angelo, and he has moved on from pickup, he now teaches get altitude and he is trying to move on, but his dark PUA past still has him gripped in its vice.

If you know within yourself that you were not amoged, is that enough? Or do you need others to know it too? If you were in David D’s situation, what would you do?

Quantum Leap 2: Sedushion

A powerful PUA the absolute spitting image of Data from Star Trek is discussing politics with the toilet attendant of a classy night club; when suddenly a mysterious hot babe seductively lures him out from the mens room. He’s matured as a PUA and has no ego, he tells the hot babe that she should ‘walk away’ as she does not know who he is and what he is capable of. Lots of women are clearly sneering and the PUA, it’s quite obvious that he has seduced a great many women in the venue on previous occasions and left them heartbroken. She beckons him to follow her as she wishes to introduce him to someone important. She escorts him out of the venue and takes him down a quiet street nearby, he always knew a Stargate-like portal was situated on Shelton Street but he never quite took it seriously. The neon blue floor lights of what he previously thought was just a faux portal have been switched on. A mysterious figure is standing in the middle of what must be the center of the portal gateway. It’s Ross from friends. It’s at this point that everything begins to make sense, Ross has the same job as Al the hologram in Quantum Leap, and the PUA is to be sent back in time to seduce various different women at pivotal points in history to make the world we currently know a better place. The PUA quickly falls in love with the escort lady who brought him out of the club. Ross informs him that he will always hope that the next leap will be the leap home. He kisses the escort goodbye and promises to come back for her. He enters into the portal and loads of flashing lights appear and some smoke as well.

The PUA arrives in the body of a politician and he must seduce Ann Widdicomb…

Strategies people!!! What should the PUA do in this dire situation? Remember that he must climax in order to leap, it’s not like how the old Quantum Leap used to be. Will seducing women he isn’t attracted to damage his psychology? What are the pros and cons of his new job? Should he use NLP on himself to make him attracted to them? Or should he seduce them in his natural state of mind and bare it? Did he make the right decision in accepting the job from Ross?

 

Sarcastically Romantic Terminology

Listen up all you ‘pickup artists’, we are now gonna play a fun little game we can call ’sarcastic romantic terminology’. The aim of the game is to come up with the most anti-romantic pickup terms and use your creativity to come up with a romantic alternative. Remember that the alternative romantic term still refers to the same thing it’s just a sarcastically romantic way of referring to it.

Let’s see who can come up with the most creative romantic alternative terminologies! Feel free to use the new terminologies to be extra stealthy and never be suspected as ‘pickup artists’ but as ‘romantics’ lol!!! Not that a PUA can’t be romantic of course : )

Here are some to get you started:

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The Magic Chode Crystal

A really cool PUA that’s in a long term relationship falls victim to an unfortunate body swap. In his new body he awakens to find himself imprisoned inside a complete chode. Upon awakening, the chode immediately realises he has been swapped with a PUA with a really hot girlfriend. The chode has access to the personality of the PUA and can easily go undetected by the girlfriend. The PUA, once recovered from the shock of the situation, decides to go out with the chode’s close circle of friends. They make a chode crystal (when guys stand around in a circle facing inwards holding their beers to their chests) and then suddenly a hologram only the imprisoned PUA can see manifests in the middle of the chode crystal. It’s Ross from friends, and he says that the only way he can get his body back is if he can find a way to get his girlfriend to realise it’s not really him she is with and that there has been a body swap. He cannot tell her directly; he can use any strategies he likes provided it doesn’t involve telling her straight, which she wouldn’t believe anyway.

Strategies people! What can the PUA do in this dire situation?

 

Illusion

Two identical twin sisters, both are in love with the same guy, they have vastly differing personalities. The guy is attracted to both of them as they are physically very beautiful. He falls in love with one of them because of her personality and gets along well with the other one. After a strong 5 year relationship together, a tragic accident takes her life away. After a long bereavement process he finds that the memory is dying and that only the sight of the identical twin sister brings her back. She can even ‘do her personality’, so to speak, and sometimes when they are reminiscing and doing impressions of her favourite catch phrases he finds himself falling in love with the illusion and the joy that it brings him. The identical twin is and always has been deeply in love with him and while wouldn’t initiate him romantically, he knows she wouldn’t resist if he initiated her. Would she grow bitter knowing why she was able to have him in the end and would she begin to resent him due to the nature of his love?

How would the passed away twin feel about this?

The Tiger & The Tigress

Imagine a disney style cartoon jungle with a tiger that’s been wounded in numerous battles and hasn’t fully recovered. He runs into a tigress and when they engage in playful scrapping her gentle attacks manage to open up pre-existing wounds thus downing him instantly. Should the tigress leave the wounded tiger because it’s in weak state? Or on the off chance that it’s a top tiger should she nurse it back to health?
What should the tiger do if she nurses him back to health? Does he owe her?

Is she a lesser tigress exploiting the wounded tiger or is she a romantic top tigress? Should he take the risk like she did?

 

 

What Could Have Been

Imagine two sisters who are born joined at the face. One sister is staring directly into her twin’s face; after seperation, her face will be a blank mask, with no eyes, no real nose, and only a gap for a mouth. The other twin, though, is facing half away; after seperation, with one eye missing and one cheek in ruin, her profile from the other side looking perfectly normal. Which sister will suffer more?, the one who will never see how hideous she is, will never look at others looking away from her? Or the one who, by turning her face just so, will catch a glimpse of how beautiful she and her sister could have been; and then, by staring at herself full in the face in the mirror, could see just how hideously deformed she is?
This as a metaphor applies to many situations one can be in. Male or female. Is ignorance bliss? Or is that glimpse of what could have been, as torturing as it is, an important life lesson?

Idea taken from top science fiction writer Orson Scott Card.

 

 

The Looming City

In a looming city there is a frantic pace, things are overpriced, the air isn’t fresh, there is a rat race mentality, there are thugs, criminals, drugs, intimidation, kill or be killed mentalities, climbing over each other to get to the top, manipulation, deception, fear, avarice, and a whole lot more. It should come as no surprise that it was the looming cities of the world that were the first to embrace on a large scale the teachings and strategies of the modern seduction community. Cities like London, New York, and Tokyo all jumping on the band wagon without hesitancy.

I have mentioned in a previous post that women need to feel safe to be at their best. The bitch in them is a survival mechanism and a looming city will switch it on automatically. Combine that with the pedestal of ratio and you’ve got twice the bitch. Looming cities are created by men, not women. A looming city is a masculine creation. Like I’ve said before, as a collective we create our situation with the women. The world is changing. Pickup is a worldwide phenomenon and it will only continue to grow as more and more people realise that it’s what we are here for. The world has been accomodating for business, war and domination and now it’s gonna have to make room for dating and relationships on an epic scale. Kiss goodbye to a lot of the conflict that is going on once this gets fully realised.